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[IJX]≫ PDF The Beetle A Mystery Richard Marsh 9781535121194 Books

The Beetle A Mystery Richard Marsh 9781535121194 Books



Download As PDF : The Beetle A Mystery Richard Marsh 9781535121194 Books

Download PDF The Beetle A Mystery Richard Marsh 9781535121194 Books

The Beetle (or The Beetle A Mystery) is an 1897 horror novel by the British writer Richard Marsh, in which a polymorphous Ancient Egyptian entity seeks revenge on a British Member of Parliament.

The Beetle A Mystery Richard Marsh 9781535121194 Books

Actually outselling DRACULA when they both came out in 1897, Richard Marsh's THE BEETLE was much talked about for years after its publication and even turned into a silent film. It's not as sustained as Bram Stoker's most famous novel and drags off a bit towards the end in a complicated railway chase, but sections of it are as frightening as anything Stoker ever wrote. Like DRACULA, Marsh's novel involves an Eastern invader with supernatural powers coming to England to attack a beautiful woman; it also invokes a whole series of tropes typical of the period, including gender confusion, fears of rampant unchecked sexual experimentation, imperialist concerns, and anxieties regarding the explosion of London's urban growth. The novel's central (and only really memorable) character is the titular Beetle, a monster from Egypt that can change its sex, its size, and its species: it comes to London to seek revenge against a politician who abandoned it decades ago in Cairo, and seeks to destroy him through his New Woman fiancée. The Beetle's presence in the novel is much more terrifying than its actual plans (which are never thoroughly explained); even so, it's quite a satisfyingly terrible monster. The novel's initial quarter, told from the view of a vagrant who sneaks into a London house for shelter in a storm only to find himself completely in the Beetle's mesmeric thrall, is outstanding in its hallucinatory detail and its evocation of sensory horror.

Unlike DRACULA, the THE BEETLE became almost forgotten within a generation. In just the last decade, however, multiple editions of it have appeared, not only because it speaks to much to the scholarship of critics in the fin de siecle (such as Elaine Showalter, Roger Luckhurst, and Sally Ledger) but also because it's such a rattling good read. This thoughtfully annotated edition from Valancourt, printed on beautiful paper and with the novel's original illustrations, may well be the best out there.

Product details

  • Paperback 446 pages
  • Publisher CreateSpace Independent Publishing Platform (July 6, 2016)
  • Language English
  • ISBN-10 153512119X

Read The Beetle A Mystery Richard Marsh 9781535121194 Books

Tags : The Beetle A Mystery [Richard Marsh] on Amazon.com. *FREE* shipping on qualifying offers. The Beetle (or The Beetle: A Mystery) is an 1897 horror novel by the British writer Richard Marsh, in which a polymorphous Ancient Egyptian entity seeks revenge on a British Member of Parliament.,Richard Marsh,The Beetle A Mystery,CreateSpace Independent Publishing Platform,153512119X,Horror,FICTION Classics,Fiction,Fiction Horror,FictionHorror - General
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The Beetle A Mystery Richard Marsh 9781535121194 Books Reviews


I tried several time to read this e-book, but it was too convoluted for me. It did not make good sense.
I don't give this book one star because of the content or literary quality. Actually, I'd give it 4 stars. But STAY AWAY FROM THIS VERSION! SERIOUSLY. THE FONT SIZE ON THIS COPY OF THE BOOK IS UNREADABLE. IT IS SUPER SUPER SMALL TO SAVE ON PAGE COUNT AND IT LOOKS LIKE A SELF PUBLISHED PIECE OF CRAP. DO NOT BUY IT, GET THE BROADVIEW EDITION INSTEAD!
A great find. I really enjoyed it. Full of suspense and action. A good old creepy thriller!!
I greatly enjoyed this book and was quite shocked I had never heard of it. It is quite fun to find a nice, little surprise in a free book.
The Beetle is a strange story written over 100 years ago. It's story is told in different parts by different characters in the book.
This is a weird, old story that I kinda randomly liked
I have to say that while reading this book I wasn't sure if I liked it. After finishing it, I realized I did. The whole story is a bit on the strange side (almost syfi based in the early 1900's), but it kept you turning the pages trying to figure out what was really going on. I wouldn't call it a light read and its probably not for everyone, but I would recommend it!
Actually outselling DRACULA when they both came out in 1897, Richard Marsh's THE BEETLE was much talked about for years after its publication and even turned into a silent film. It's not as sustained as Bram Stoker's most famous novel and drags off a bit towards the end in a complicated railway chase, but sections of it are as frightening as anything Stoker ever wrote. Like DRACULA, Marsh's novel involves an Eastern invader with supernatural powers coming to England to attack a beautiful woman; it also invokes a whole series of tropes typical of the period, including gender confusion, fears of rampant unchecked sexual experimentation, imperialist concerns, and anxieties regarding the explosion of London's urban growth. The novel's central (and only really memorable) character is the titular Beetle, a monster from Egypt that can change its sex, its size, and its species it comes to London to seek revenge against a politician who abandoned it decades ago in Cairo, and seeks to destroy him through his New Woman fiancée. The Beetle's presence in the novel is much more terrifying than its actual plans (which are never thoroughly explained); even so, it's quite a satisfyingly terrible monster. The novel's initial quarter, told from the view of a vagrant who sneaks into a London house for shelter in a storm only to find himself completely in the Beetle's mesmeric thrall, is outstanding in its hallucinatory detail and its evocation of sensory horror.

Unlike DRACULA, the THE BEETLE became almost forgotten within a generation. In just the last decade, however, multiple editions of it have appeared, not only because it speaks to much to the scholarship of critics in the fin de siecle (such as Elaine Showalter, Roger Luckhurst, and Sally Ledger) but also because it's such a rattling good read. This thoughtfully annotated edition from Valancourt, printed on beautiful paper and with the novel's original illustrations, may well be the best out there.
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